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We live in a highly visual culture: we are presented with representational impressions and images hundreds, if not thousands, of times each day, often to the point of sensory overload. The impact of these visual images resonates in every facet of our lives, contributing to how we interact with and interpret the world around us; it shapes our opinions, creative output and desires. Images also clearly serve as a driving force behind our decisions about what to buy, what to believe, what to value, where to go and which people and relationships are worth our time and energy. The most widely-used, persuasive images of all are indisputably those pertaining to sex.
This book will explore the creative, educational, technical and critical issues at stake in 're-imagining animation'. The moving image pieces will be presented as a range of case studies looking at the production process from the initial choice and selection of the creative stimulus, through the discussion and decision informing the aesthetic and technical facilitation of the work, to the final outcome. These will then be analysed in meaning, purpose, and affect, and as part of a wider engagement with moving image culture.